Holiday Pops in the Heartland
- Date December 14th, 2024 Time 7:30pm Venue ISU Center for the Performing Arts - Normal
Celebrate the holidays with festive music! Holiday Pops in the Heartland is truly a community affair as the ISO is joined by the Bloomington-Normal Youth Symphony, Illinois Symphony Youth Orchestras, Springfield Choral Society, and the Springfield Youth Performance Group. But that's not all! Soprano Vanessa Becerra, will dazzle us singing holiday favorites and more. It's fun for the entire family, young & old!
Taichi Fukumura, Music Director | Vanessa Bercerra, Soprano
Listen LIVE with us!
Tickets: $70 / $50 / $30
Students (Age 24 & Under): $10
Springfield
Friday, December 13, 2024 @ 7:30 PM
UIS Performing Arts Center
Bloomington-Normal
Saturday, December 14, 2024 @ 7:30 PM
ISU Center for the Performing Arts
Popular Pops season tickets are still available! Popular Pops package includes our Holiday Pops in the Heartland concert and the Magical Music of Harry Potter concert. Tickets are 30% OFF the full price ticket value for first-time season ticket buyers. Get your Popular Pops package. It’s fun for everyone.
Support Provided By:
Debra & Daniel Brownstone, M.D., The Landmark Automotive Group, US Bank
Bloomington-Normal Venue ISU Center for the Performing Arts - Normal
400 W. Beaufort St, Normal, IL 61761
Your Illinois Symphony Orchestra performs Symphony Orchestra and Pops concerts at the Center for the Performing Arts located on the Illinois State University campus as part of a partnership with the Wonsook Kim College of Fine Arts and School of Music.
Physical Address:
400 W. Beaufort St. | Normal, IL 61761
Mailing Address:
Campus Box 5600 | Normal, IL 61790-5600
ISU CPA Ticket Office Information
Tickets for all Illinois Symphony Orchestra season concerts are sold through the ISU CPA Ticket Office. Tickets may be purchased by in-person, by phone, or online.
- In-Person: ISU CPA Ticket office is located in the lobby of the Center for the Performing Arts located on the ISU Campus
- Phone: (309) 438-2535
- Online: finearts.illinoisstate.edu/tickets/
ISU CPA Ticket Office Hours
Monday through Friday: Academic Year 11 a.m. to 5 p.m. | Summer 12 p.m. to 4 p.m.
Saturday - Sunday: Closed
Performance Days: Opens Two Hours Prior to Performance
ISU CPA Ticket Office Parking
Two parking spaces located next to the CPA loading dock are reserved for patrons for business with the box office. These parking spaces are located off the corner of Beaufort and School Streets. A second option is to park in the University Street Parking Garage, an hourly pay lot. During non-performance times, there is no public parking in the School Street Parking Garage.
ISU CPA Event Parking
School Street Parking Garage
Free event parking is available in the School Street Parking Deck (400 S School St | Normal, IL 61761) for evening and weekend events. There is a sign located at the entrance labeled “Arts Event Parking” and states “Closed” or “Open.” When the “Open” sign is lit, enter and park in any spot numbered above spot 250 and below the blue parking zone near the top floor of the garage. Parking is not available on the ground level or top floor but is available everywhere between these two levels.
Premium parking for donors who give $1,000 or more to the Illinois Symphony Orchestra is coned off and available on the second level in the northwest corner near the elevator of the School Street Parking Garage.
School Street Garage
400 S School St | Normal, IL 61761
Directions
South University Street Parking Garage
Additional public parking is available at the South University Street Parking Garage (600 S University St, just north of Beaufort St.) at any time for $1.00 per hour.
South University Street Parking Garage
600 S University St | Normal, IL 61761
Directions
Featured:
Taichi Fukumura Music Director - Music Director
Taichi Fukumura is a rising Japanese-American conductor acclaimed for his dynamic stage presence and musical finesse. He is the Second Prize Winner of The Mahler Competition 2023 and a four-time recipient of the Solti Foundation U.S. Career Assistance Award 2021-2024.
Fukumura was recently named Music Director of the Illinois Symphony Orchestra, following two guest conducting appearances as part of an international search. He begins his role in the 24/25 season as the fifth music director in the orchestra’s history.
Other 24/25 highlights include guest conducting debut with the Bamberg Symphony, and returning to the Fort Worth Symphony Orchestra as guest conductor after leading the orchestra in over 110 concerts as Assistant Conductor appointed by Music Director Robert Spano. Fukumura is also Music Director Finalist of the Eugene Symphony, Delaware Symphony, and Colorado Springs Philharmonic, and will guest conduct each during the 24/25 season. Additionally, he will return to the Aspen Music Festival as guest assistant conductor for the opening week of summer 2024.
Past engagements include guest conducting members of the Boston Symphony Orchestra in their Community Chamber Concert series, leading Stravinsky L’Histoire du Soldat. He made his international guest conducting debut with the Orquesta de Cámara de Bellas Artes in Mexico City, and guest assisted the Houston Symphony and the Pittsburgh Symphony Orchestra. He was also invited by the Berlin Philharmonic as one of 10 assistant conductor candidates for Kirill Petrenko and the Siemens Conductors Scholarship in 2021. Active as both conductor and assistant, Fukumura has worked with esteemed artists such as Edo de Waart, Juraj Valčuha, and Dame Jane Glover, as well as Thomas Hampson, Yefim Bronfman, Yo-Yo Ma, and Gil Shaham.
Fukumura served as the Assistant Conductor of the Chicago Sinfonietta where he previously received mentorship from Music Director Mei-Ann Chen as a Freeman Conducting Fellow. Additionally, he worked closely with the Chicago Philharmonic as cover conductor, assisting Artistic Director Scott Speck and many guest artists.
Equally adept in opera conducting, Fukumura conducted full productions of Britten Turn of the Screw and Mozart Don Giovanni at the Northwestern University Opera Theatre. As Staff Conductor at Boston Youth Symphony Orchestras (the only youth orchestra in the country to present annual opera productions), he led rehearsals of many monumental works including Puccini La Boheme.
Fiercely advocating to bring people together around the spirit of live music, Fukumura led many new initiatives with the Fort Worth Symphony including the first major update in their education and community programs in over a decade. An avid educator, he has previously served as Director of Orchestras at the Merit School of Music in Chicago and directed the endowed Northwestern Medical Orchestra to national acclaim within their first four years. Fukumura was appointed by the Mayor to the Evanston Arts Council for his cultural leadership and fresh perspectives, where he collaborated with local artists and arts organizations to enrich lives and amplify previously unheard voices.
Born in Tokyo, Taichi Fukumura grew up in Boston and began music studies at age three on the violin. Professionally trained on the instrument, he received a Bachelor of Music in violin performance from Boston University, studying with Peter Zazofsky. Fukumura received both his Master of Music and Doctor of Musical Arts degrees in orchestral conducting from Northwestern University, studying with Victor Yampolsky. Additional conducting studies include the Aspen Music Festival Conducting Fellowship with Robert Spano, the Freeman Conducting Fellowship with Mei-Ann Chen and the Chicago Sinfonietta, mentorship in Paris with Pierre-Michel Durand and l’Orchestre Prométhée, the Hong Kong International Conducting Workshops with Jorma Panula, Christoph Poppen, and Yip Wing-sie, and the Pierre Monteux School and Festival with the late Michael Jinbo. Taichi Fukumura is fluent in English and Japanese.
Updated May 30, 2024
Vanessa Becerra
Peruvian & Mexican American Soprano Vanessa Becerra’s 24/25 season is highlighted by her return to LA Opera for Ainadamar (Nuria). Additional engagements include her house and titular role debut in Paër’s Leonora at Chicago Opera Theater, debuts at UC Davis in Don Pasquale (Norina), Berkshire Opera Festival in La traviata (Violetta) and Sacramento Philharmonic & Opera in Le nozze di Figaro (Susanna). On the concert stage, Vanessa debuts with Madison Symphony Orchestra as a guest soloist for their holiday concert, Chamber Music Society of Lincoln Center for their Spanish Journey program on tour, and the Boise Philharmonic as the Soprano Soloist in Mozart’s Requiem.
Last season, Vanessa was a featured soloist at Fort Worth Opera’s annual gala, debuted with Sacramento Philharmonic & Opera in Die Fledermaus (Adele) and returned to Opera Omaha for Don Pasquale (Norina), Minnesota Opera for L'elisir d'amore (Adina), Arizona Opera for Don Giovanni (Zerlina), and Opera Theatre of Saint Louis for Galileo Galilei (Maria Celeste/Eos). On the concert stage she debuted with The Phoenix Symphony for Messiah.
In the 22/23 season, she made debuts with Florida Grand Opera for El matrimonio secreto (Carolina), and Opera Theatre of Saint Louis for Così fan tutte (Despina) along with returns to Minnesota Opera for La fille du régiment (Marie), Opera Omaha for Le nozze di Figaro (Susanna), and Houston Grand Opera for El Milagro del Recuerdo (La Mujer). On the concert stage, she debuted with the newly formed San Antonio Philharmonic.
Vanessa has made debuts at The Metropolitan Opera in Cendrillon (Noémie), Boston Lyric Opera in Roméo et Juliette (Juliette), Intermountain Opera Bozeman in Il barbiere di Siviglia (Rosina), Austin Opera in Fidelio (Marzelline), Opera Parallèle in La Belle et la Bête (Belle), Houston Grand Opera in the world premiere of El Milagro del Recuerdo (La mujer), Washington National Opera in Don Giovanni (Zerlina), and Arizona Opera for the feature length film adaptation and world premiere of The Copper Queen (Julia Lowell). She also has debuted with the Los Angeles Philharmonic under the baton of Gustavo Dudamel in Die Zauberflöte (Papagena), San Francisco Symphony with Michael Tilson Thomas in Candide (Paquette), Lyric Opera of Chicago in Fellow Travelers (Miss Lightfoot), Opera Delaware and Baltimore Concert Opera in Werther (Sophie), Opera Omaha in Medea (Glauce), and Atlanta Opera in Sweeney Todd (Johanna).
Vanessa recently returned to Opera San José for the title role in Il segreto di Susanna by Wolf-Ferrari, following her success at Opera San Jose as the title role in Alma Deutscher's Cinderella (featured internationally on Medici.tv) conducted by Jane Glover. Additional recent appearances include Washington National Opera for Sankaram’s Rise (Alicia Hernández), part of the world premiere tetralogy Written in Stone and Francesca Zambello’s West Side Story (Maria) with Lyric Opera of Kansas City, The Glimmerglass Festival, and Atlanta Opera. In concert, she debuted with Minnesota Opera for Ópera Afuera, St. Croix Valley Opera for a concert of popular arias entitled Opera on the River, and returned to Fort Worth Opera for Entre Amigos.
Ms. Becerra is a graduate of the Young Artist Program at the Los Angeles Opera. During her time with LAO, she appeared in Le nozze di Figaro (Barbarina), Die Zauberflöte (Papagena), La traviata (Annina), Gossip 2 in the GRAMMY Award-winning recording of Corigliano’s The Ghosts of Versailles, and as a featured soloist in a concert with bass-baritone Erwin Schrott. Vanessa enjoys a long relationship with The Glimmerglass Festival where she has been seen in Oklahoma! (Laurey), La bohème (Musetta), and in their Young Artist performances of The Magic Flute (Pamina). Other training programs include Wolf Trap Opera Company, Des Moines Metro Opera, and Seagle Music Colony. She received her master’s degree from The Boston Conservatory, her bachelor’s degree from Texas Christian University in her hometown of Fort Worth, TX and is a graduate of the Fort Worth Academy of Fine Arts.